Most of the time, you’re not rebuilding the grade… you’re just dialing in the mood.
NOT LOCKED TO ONE LOOK
The LUT gives you a clean starting point, but you’re still in control of the final image.
For this clip, I used the LUT as the base, then pushed the red jacket darker and richer so it fit the scene better.
You can adjust saturation, skin tones, contrast, temperature, or specific colors depending on the shot. The goal isn’t to trap your footage into one preset look, it’s to give you a strong base you can shape fast.
HERE’S THE LUT APPLIED TO DJI OSMO POCKET 3 FOOTAGE
D-Log / 4k (colder temp)
D-Log / 4k (warmer temp)
CHOOSE YOUR LOOK
Start with DRIFT for color footage, or ASH for a cleaner black-and-white grade. Both are built to help you move faster without rebuilding the whole look from scratch.
ASH is a black and white LUT we built for footage that needs a more timeless, finished feel without looking washed out or overly crushed.
DRIFT is a LUT we created to be a strong starting point for almost anything you make. It gives you a solid, balanced base that already feels polished, then from there you can tweak skin tones, saturation, contrast, and other details to push it toward your own final look.